Sunday, January 26, 2014

'Old maids to radical spinsters'. Discuss the subversive potential of the unmarried woman with reference to one text.

During 19th century, women were expected to be proper and polite; on the other hand, to rebel against this expectation was to be the reverse: ugly, rude, vulgar, and impolite. In addition, a woman was usually perceived as the shtup of her husband when she married. Thus, once she married, all her wealth would belong to her husband. On the contrary, the remaining unmarried woman, labeled as old maids or spinsters were usually under the jurisdiction of their fathers or other sozzled relatives. For example: the characters Josephine and Constantia in the text The daughter of the late colonel. Therefore, in this essay, I am going to discuss how Muriel enables to transform herself by means of understanding of other models of feminine identities apart from being a married woman with reference to the text The crowd highway by Winifred Holtby.         Women at that particular time were supposed to pack like Rachel Bennet: [a] pretty, clever, and a lady. She brought thi ngs off, (Holtby, 220) and the most(prenominal) meaning(a) matter is to flummox married. Marriage is - the crown and joy of womans figure - what we were born for - to have a husband and children, and a call foring(predicate) home of your own, (Holtby, 223). Unlike Rachel Bennet, Delia smokes, [she] lit another fagot with trembling fingers (Holtby, 227) and even dares to talk back to her father, my dearest Father, do not at your eleventh hour begin to play the heavy parents with me (Holtby, 227). Moreover, she god on her own in the metropolis kinda of taking care of her family. She worked for a feminist active organization, The 20th Century Reform League and gave public speeches, I live largely on platforms and in publicity (Holtby, 236). In addition, she did not even care about her household disorder, unlike... If you want to get a full essay, order it on our website:< br/>
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